10 Music Artists You Must Know In 2024
The next wave of UK artists that are ready to take over your streaming playlists have arrived.
We have put together a list of 10 fresh & exciting music artists who are ready to shake up the UK music industry. From Leeds-based Rap/R&B Artist Ntantu to Bimingham’s very own A.S Kullar, these artists are about to have an exciting year, and this is your chance to hear them first.
Ntantu
3K Monthly Listeners
Over the past five years, rapper and producer Ntantu has been quietly developing a signature sound of Afro Pop, Rap, RnB and Dancehall, showcasing a fusion of styles and influences. This is reflected in his songwriting and production.
No Guidnce
500K Monthly Listeners
No Guidnce: the TikTok sensations determined to reshape the narrative of the Nineties boyband. After making it big on TikTok, these Londoners have their sights set on becoming this gen's Boyz II Men.
Geovarn
50K Monthly Listeners
Geovarn rose to prominence with his debut single ‘4am’. Since then the Singer, Rapper and Producer has delivered consistent sounds on beautiful crisp beats. Added with Stunning vocals on smooth RnB/hip hop beats, exceptional flows and well placed harmonies. Geovarn has impressed many industry favourites. The vivid RnB Rough Vocalist hails from North London.
Skeete
600K Monthly Listeners
A Captivating Fusion of R&B, Neo Soul, Dancehall, and Afrobeats. Hailing from the vibrant city of Nottingham, Skeete has masterfully crafted a musical style that effortlessly combines the soulful melodies of R&B and Neo Soul with the infectious rhythms of Dancehall and Afrobeats. With a global following that transcends borders and a sound that resonates with both introspective ballads and uplifting anthems, Skeete has firmly established himself as an artist of immense talent and versatility.
Mafro
124K Monthly Listeners
MAFRO makes emotional electronic music that swings between melancholy and club euphoria. Growing up in North London with a Trinidadian mother and an Irish father, MAFRO’s home was filled with a blend of steel pan-infused Soca beats and traditional Irish melodies, as well as the UK Garage and RnB that his older sister would play on repeat. This diverse range of influences has profoundly inspired his music-making.
Surya Sen
159K Monthly Listeners
Surya Sen is a British-Bengali electronic producer and rapper from North London. His passion for the New York boom bap scene led him into a love affair with the sampling culture of the 90s and the desire to emulate artists such as Large Professor, J Dilla and Pete Rock. As his interest in different genres developed, he branched out to dance based music and eventually fell on the Detroit House and Chicago dance movements.
ALANA MARIA
21K Monthly Listeners
Introducing Alana Maria, the 22 year old music sensation from West London, embodying self expression whilst tugging on the heart strings of both old and new school R&B enthusiasts, sharing her raw talent with the world. Alana’s authentic sound uses R&B and Afro-Caribbean concepts, showing the beauty of culture in a new light - ranging from heartbreak and love songs to catchy tunes and dance masterpieces.
a.s. kullar
5K Monthly Listeners
A.S. Kullar is an up-and-comer out of Handsworth bending genres with soulful, sample-based, hip-hop rooted beats. He independently released the raw yet impressive Rules of Engagement EP in collaboration with another West Midlands artist, Beant Dhillon. Demonstrating his versatility, Kullar has secured a hugely impressive coup with his new track Chemical Reaction featuring New York giant Benny the Butcher, releasing this Friday. His obvious talent provides a refreshing contrast to the cookie-cutter offerings too often seen in Punjabi music right now.
Samira
129K Monthly Listeners
In early 2022, Samira decided to throw herself head-first into building a pop career, quickly landing on the radar of some of the music industry’s most respected songwriters and producers.
Clementine Douglas
5M Monthly Listeners
Songwriter, vocalist & producer Clementine Douglas is a go-to writer-singer for the global Dance world, signalled by winning Radio 1's Dance Awards Vocalist of the Year 2022.
Punch's 2023 Rewind: Highlights of the Year
As we bid farewell to another unforgettable year, it's time to pause & reflect on the moments & milestones that have come to define this year for Punch. From global campaigns to documenting the stories of local unsung heroes, this year has been one for the history books.
As we bid farewell to another unforgettable year, it's time to pause & reflect on the moments & milestones that have come to define this year for Punch. From global campaigns to documenting the stories of local unsung heroes, this year has been one for the history books.
We are proud of every project, every event, and every collaboration that we have worked on across 2023, but we’ve taken it upon ourselves for the hard task of defining each of our highlights of the year. So without further adieu, we present our Punch 2023 Rewind: Highlights of the Year!
Jay L’Booth, creative producer
“Where to start! What an eventful year! I have to say, my main highlight of this year has been producing the ‘In The Room’ Podcast. Thanks to DJ Biggoss, we secured some exceptional people to speak on the podcast and a lot of exciting gems were shared.
The guests who were interviewed have done some really amazing things, Just to mention a few; Kane Dunn, Meekz manager, Nicole Wallace-White, Clavish’s Tour manager, Gracey Mae who has done bits for the Afrobeats scene! The host, DJ Haych was incredible and asked the right questions to pull the best information out of the guests.
With topics like “How to maximise your income”, “How to navigate the legal side of the Music industry” and “Music distribution”, the episodes were not only entertaining but also educational. I can’t wait for this series to be released online in 2024!”
Bradley Morrison, Head of Marketing & communications
“The Voguing & Waacking scene has been steadily growing in Birmingham over the last decade and has provided a platform for countless dancers to express themselves in ways that were once unimaginable outside of queer nightclubs in the city.
During the Gallery37 Residency earlier this year, we had the pleasure of inviting the legendary, Eric Scutaro (Dancer & Co-Founder and Director of Queerside), to lead a dance masterclass during the height of the preparation for the Showcase. Little did we know that this Masterclass would bring together so many creative camps - as they all jumped at the chance to learn about the history of the dance styles that were born from Black & Latino communities in the 70’s & 80’s; and have inspired popular culture around the world.
It warms my heart to see Birmingham value & appreciate Queer artforms, and revel in the opportunity to learn from the greats in the city. I have no doubt that artists who were present during the masterclass such as Serena Sunflower and Darby McGuirk (who both demonstrated their Waacking skills in the Showcase) will continue the legacy of the dance style within the city.”
Ellie Howard, Digital content producer
“This year, my standout moment was being given the opportunity to fly out with some of Punch associates to Jamaica.
Over 7 days, we were immersed in the music scene and captured an abundance of content featuring music artists from Jamaica, Trinidad, and the UK.
Being able to film at Big Yard Studios for 3 days gave us the chance to meet many different artists who will be included in the brand-new documentary about the first-ever showcase event in Jamaica.
I also got to work on directing the Big Zeeks X Ding Dong video. Seeing the vision we had come to life was amazing.”
CAS Thompson, creative producer
“LIFTED! The first tour to kickstart touring for Punch this year!
Being a Christian is a very important aspect of my life as it has assisted with shaping who I am today. It was such a privilege to produce Punch’s first Gospel tour and work with the three amazing headline artists; Asha Elia, Annatoria, Still Shadey, and the live band; Chemistry Music Group.
LIFTED allowed Punch to highlight the Gospel scene, and allowed me to explore multiple Gospel music genres as the three artists; consisted of R&B and Rap. It was heartwarming to see that within each location the crowds were praising, worshipping, and feeling uplifted!
Another highlight for me was being the Punch lead Producer on the Romain Virgo UK Tour. Romain entertained the crowd with his popular singles whilst also adding reggae classics from Reggae icons. This kept the crowd in awe throughout the tour each night. This was a great way to end the touring for this year!”
Sannah Sajid, Digital Co-ordinator
“The most important piece of work that we commissioned this year for me was ‘Tug Of War’. A spoken word piece alongside an animation that shed light on the pressing humanitarian crisis in Palestine. This not only was a beautiful piece of work but also resonated deeply with my values and beliefs.
This powerful artwork managed to capture the essence of the crisis and evoked a strong emotional response from the audience. It brought awareness to the suffering of those affected, pushing you to take action and make a difference. "Tug of War" beautifully depicted the struggles, resilience, and inherent humanity amidst the crisis, leaving you inspired and motivated to contribute in any way you can.
This cause is one that is close to my heart, so to be able to work for a company that speaks up against injustice and isn’t afraid to use their voice is very special.”
Fahmida Choudhury, Insight Producer
“This year, my standout moment was witnessing the Gallery37 creative development programme unfold.
Engaging with it for the first time, I found it incredibly inspiring to see Birmingham's young artistic community unite, forge new friendships, and showcase their creative talents.
The programme provided a platform for these budding artists to express themselves and foster a vibrant creative spirit, making it a memorable and enriching experience for all involved.”
Nikki Riggon, Head of Programme
“2023 has been a blur! Like most years it's hard to choose a highlight but something that has been hugely significant to me and a constant throughout it all are the moments of self-discovery and reflection. Not just in myself but in the whole Punch team who I've seen take on new challenges and in the artists we’ve developed through Gallery 37, The P Word, In The Room and other programmes.
It's important to reflect on the work we’ve done, to understand its impact and what can be done differently going forward. We had a huge opportunity to look at work Punch has done over the years through our partnership with Google Arts and Culture who are currently showcasing our work in their digital exhibition, Union Black. It was a huge honour to see our work celebrated as something which has shone a light on talented artists and rich culture in the UK, particularly Birmingham.
This year has been a year defined by new live music events, development programmes and art commissions which have each sparked ideas and ignited bigger things to come in 2024.”
rohan ram, creative assistant
“The Gallery37 Showcase represented the vibrant culmination of two weeks of dedicated graft by the young Artists and the successful fruition of months of meticulous prep work by the Punch team.
Two weeks before the event, 100 young artists, then strangers, entered the Aston SU hall, unaware what was to come. Yet to the spectators of the showcase, this would have been scarcely believable. They witnessed a bustling, supportive atmosphere, where authentic collaboration and sheer talent was able to thrive. The Showcase marked the first time their work was able to be exhibited and performed in such a professional setting, attended by many senior Arts professionals. It was the fitting, celebratory reward that their efforts deserved.
On a personal note it represented the first major project I’ve worked on and I was struck by how such a project can have a genuine impact on the early stages of young careers. It was inspiring and felt like real, true work. I can’t wait to see how Gallery37 continues to unfurl.”
Celebrating British LGBTQ+ Musicians of Colour
In the lead-up to Birmingham Pride this weekend, we want to celebrate LGBTQ+ artists from UK - in particular highlighting the artists of colour who are making their mark on the music industry around the world.
From viral Hip-Hop sensation Dreya Mac to Birmingham’s very own Felix & James Indigo, we want to celebrate artists from across the UK that you should discover today.
In the lead-up to Birmingham Pride this weekend, we want to celebrate LGBTQ+ artists from UK - in particular highlighting the artists of colour who are making their mark on the music industry around the world.
From viral Hip-Hop sensation Dreya Mac to Birmingham’s very own Felix & James Indigo, we want to celebrate artists from across the UK that you should discover today.
DREYA MAC
Must listen: Own Brand (Baddie)
West London Native, Dreya Mac, has garnered support from tastemakers including Annie Mac, Toddla T, DJ Target, Sian Anderson and Rickie and Melvin and Charlie.
Dreya is an alumni of the world-famous Brit school where she studied musical theatre and dance from the age of 14. Since then her professional dancing background has taken her all over the world to countries as far reaching as the USA and China. She can be seen demonstrating her talents in videos and shows for prominent artists such as Stormzy, Dua Lipa and Rita Ora. She has also performed at the MTV EMAs and Brit Awards and featured in the Burberry 2020 Festive Campaign.
JAMES INDIGO
Must listen: Money (feat Black Peppa)
James Indigo is a UK artist, who uses his experiences of growing up as an LGBTQ+ person of colour, to create an esoteric sound that is very much true to himself. He mixes his Jamaican / British background with his queer perspective on pop culture, to create a fusion of sounds.
Musically, he melds rap lyrics, with icy electro and pounding trap beats, and dancehall inflections, along with his unique energy. James's discography thus far has had a phenomenal response. He has been featured in Billboard, HuffPost, PRS, Hunger Magazine, Pink News, Attitude, GayTimes, Them, Kaltbult Magazine, Bricks, Grindr, Snapchat, and The BBC.
RINA SAWAYAMA
Must listen: Holy (‘Til You Let Me Go)
Rina Sawayama gained critical acclaim following the release of her debut studio album Sawayama.
Rina was included in Vogue Japan's "Women of the Year 2019" winners and was awarded the Breakthrough Award by the Attitude Awards. In late July 2020, Sawayama expressed her discontent after being informed that she could not be eligible to be nominated for major British music awards, such as the Brit Awards and Mercury Prize, due to the fact that she does not hold British citizenship. Her movement gained major support from Elton John. The BPI later changed the rules to allow anyone who had remained in the UK, including her, to be eligible.
FELIX
Must listen: Dirty Habits
British Singer-songwriter Felix incorporates elements of contemporary RnB and trap production into alternative-minded pop songs.
His 2019 release, 'Gold' followed by 'Friends' gained the attention of BBC Introducing and various other lines of the press. With a new project in the works, Felix's energetic songs and grounded attitude will see him seduce a wider audience around the World.
BREE RUNWAY
Must listen: HOT HOT
Bree Runway has expressed her sound as "genre-bending" as well as "genre fluid" with her material experimenting with a multitude of genres including; pop, trap, dance, R&B, rock, hyperpop and country. Despite being signed to a major label, Runway revealed that she is entirely in charge of her creative process. Runway explains that she tries to study genres that she doesn't listen to on a daily basis quoting that there is "inspiration everywhere". When discussing Runway's sound, she emphasizes her disapproval with genre labelling.
She cites Lil' Kim, Britney Spears, Madonna, Missy Elliott, Pharrell, Kelis, Lady Gaga and The Neptunes as her biggest influences.
seeva
Must listen: young
Seeva is an Electro-Pop artist based in London. He began writing at the age of 13 and by the age of 15 he was playing live with continued support from established British producers behind the likes of Dua Lipa, Tom Walker and Mabel.
Having built foundations for a career as a writer and producer with credits including the Tate Modern and Footlocker, Seeva transitioned into an artist in his own right by releasing his debut single, Heartstop., in collaboration with Brighton songstress la lune followed by his widely acclaimed, self-produced debut album We Need To Talk’, released in September 2020. With tracks such as ‘Young’, ‘Princess’ and ‘Clouds, he has been showcased on the likes of Beats 1, BBC Radio 2 & 6 and Flex FM amongst others. With editorial playlist support from Spotify, Deezer and Amazon, he has only continued the undeniable hype surrounding his self-managed, self-produced 2020 debut project.
MNEK
Must listen: Honeymoon phaze
MNEK is a British-Nigerian singer, songwriter, and producer who has worked with a wide spectrum of pop, dance, and R&B artists, in addition to achieving chart success on his own. First making a major impact on the British pop charts by co-writing early-2010s hits by the Saturdays and Duke Dumont, his strong, soulful vocals were featured on "Ready for Your Love," a 2014 Top Five single by London-based house duo Gorgon City.
He went on to work with Kylie Minogue, Beyoncé, and Madonna, and his 2015 collaboration with Zara Larsson, "Never Forget You," became a worldwide smash. His other longstanding collaborators have included Rudimental, Becky Hill, Shift K3Y, and Little Mix, among many others. MNEK was awarded an ASCAP Vanguard Award in 2016. He was featured on Stormzy's 2017 Top 10 hit "Blinded by Your Grace, Pt. 2," and his debut album, Language, was released in 2018.
TIA KOFI
Must listen: I WANT IT ALL
Tia is a talented singer and songwriter who found a new audience of adoring fans appearing on the second season of RuPaul’s Drag Race UK. One of the major breakout stars of the season, Tia was a firm fan favourite from the start. Tia has already released several acclaimed singles, four of which have hit Top 10 on the Official Commercial Pop Chart.
Her debut ‘Outside In’, written by Little Boots and Tom Aspaul, was premiered on Radio 2’s Zoe Ball breakfast show. Her debut EP ‘Part 1: The Damage’ hit No.1 on iTunes, whilst the second ‘Part 2: The Antidote’ features collabs with Little Boots, Mista Strange and MRSHLL. Tia hosts a weekly Friday evening radio show for Virgin Radio Pride and was again the presenter of digital content for the BBC’s Eurovision Song Contest this year. This Summer Tia will perform her music on the main stage of Mighty Hoopla, Pride In London, Brighton Pride, Manchester Pride and Birmingham Pride.
Have a listen to our curated Pride Party playlist below
Historic Moments of Gospel Music
Gospel music is a traditional genre of Christian music. The creation, performance, significance, and even the definition of gospel music varies according to culture and social context.
Gospel music has had a significant impact on certain areas of music around the world, particularly in America where we have seen an influx of Gospel music and artists. What would come to mind if we asked you for some of the biggest Gospel music moments? Here are some of ours.
Thomas A. Dorsey’s impact on Gospel Music
Thomas A. Dorsey was an American musician and composer that played a heavy role in early blues and gospel music in the 20th century. He is one of the most influential players when it comes to making Gospel music more widespread in the 1930s. He is known as being the ‘Father of Gospel’ due to his work and dedication towards building the sound of Gospel music and blues.
Martin Luther King Jr. being influenced by Gospel Music
Mahalia Jackson, otherwise known as the Queen of Gospel was a friend of Martin Luther King Jr. and helped him through some dark times with gospel music. She spent time alongside him for massive demonstrations and supported him throughout, so it's no surprise that she had a big impact on one of the most influential moments in civil rights.
Mahalia decided mid speech that his speech needed to go in a particular direction, and by recollecting a theme she had heard before. She shouted “Tell them about the dream, Martin” from behind the podium, which led to Dr King leaving his notes behind and began his famous “I have a dream” speech.
Gospel Choir performing at the the Royal Wedding of Harry and Meghan
The Kingdom Choir made their mark on British history and Gospel history by being the first Gospel Choir to perform at the Royal Wedding. The choir performed a rendition of Ben E. King’s song “Stand By Me”, which led to a massive impact for the choir, including being signed by Sony Music and millions of streams worldwide.
Lauryn Hill performs ‘Joyful, Joyful’ in Sister Act 2
Hollywood has been known to not champion music from people of colour, but they were not able to deny the beauty of Gospel music in this movie. Lauryn Hill performing ‘Joyful, Joyful’ in the Sister Act 2 movie was a big moment for Gospel music and musicians of colour.
As well as Lauryn Hill’s undeniable vocal ability and talent, the song brought in a new audience for Gospel music and was a monumental moment in history.
Stormzy performs ‘Blinded By Your Grace Pt 2’ at Glastonbury
Grime artist Stormzy performs ‘Blinded By Your Grace Pt 2’ at Glastonbury, with Gospel music being performed for over 100,000 people at one of the biggest festivals in the UK. His performance began with ‘we’re going to take this to church, and we’re going to give God all the glory right now’.
We would like to invite you to our upcoming UK Gospel & R&B tour, ‘LIFTED’ featuring Annatoria, Asha Elia and Still Shady.
Raf Saperra: A Potential Cultural Phenom?
Raf Saperra breathes new life into his Punjabi folk, early 2000s Bhangra and Hip Hop influences on his new mixtape 'Ruff Around the Edges'. It is an audacious and compelling body of work, which has the power to become a British Asian cult classic.
Raf Saperra breathes new life into his Punjabi folk, early 2000s Bhangra and Hip Hop influences on his new mixtape 'Ruff Around the Edges'. It is an audacious and compelling body of work, which has the power to become a British Asian cult classic.
I came across Raf Saperra at the back-end of 2020, when he released the self-directed music video for ‘G’lassy Riddim’. It was produced by Birmingham born and bred producer, G-Funk, who was one of my close friends at primary school. I’ve since fallen out of touch with him. I only really clicked on the video out of the intrigue, resulting from this loose connection and looking back it has proved to be one of my better decisions; I have been an avid Raf and G-Funk fan ever since.
I love my parents and am immensely grateful for all they’ve done for me over the years. Despite this I have at times struggled with being raised without much real exposure to Asian culture. I don’t know too much about my roots, I lack knowledge of the traditions and can’t speak the language - bar the swear words and insults, which are really fun to say. This has often led to the conundrum of essentially being ‘too brown for the white kids, but too white for the brown kids’.
Luckily I feel I’ve done a pretty good job of getting on with people and generally getting by. I haven’t really felt the need to change parts of my personality or even frantically revise Jazzy B lyrics the night before I’d go to a family function or wedding. However, when I first heard Raf Saperra I was hooked and I felt like I wanted to get involved with more Punjabi culture and learn the language and more about where I came from. These feelings have been compounded by his following releases and debut mixtape last week.
“His mixtape ‘Ruff Around the Edges’ is an ambitious project that showcases his versatility and dynamism as an artist.”
Saperra proves he is as comfortable lending his booming and engaging vocal range to hip hop inspired beats, see ‘Modern Mirza’ and ‘Saperra (Gang Jatt Di)’, as more traditional stripped back qawwali and boliyan numbers, see ‘Table Top Boliyan’ and ‘Mast Qalandar’. Saperra is a real student of Punjabi music and has essentially built a bridge from the era of folk singers such as Kuldeep Manak and Shaukat Ali Khan into the modern day. As a Hip Hop head, following Raf has allowed me to learn about this evolution in an accessible and entertaining format.
The accessibility of Raf’s material underlines his rare ability as a Punjabi artist to make music that pervades the boundaries of ethnicity. For example the track ‘Nach Le Soniye’, produced by The Culprit, is inspired by UK garage and has found its way being played on stages at the likes Glastonbury and Berghain via DJ Yung Singh. Singh is another artist at the forefront of the movement pushing British Punjabi culture into the mainstream. I’ve been fortunate enough to see him live, where he was extremely well received by diverse crowds. His success has been magnified by his recent Radio 1 residency, where he has showcased many of his musical influences from liquid jungle and house to traditional and contemporary Punjabi sounds.
Since coming into contact with this rapidly evolving British Punjabi scene, I have been motivated to learn more about my personal and family connections to Punjabi culture. For example, I've since found out that Amarjit Sidhu, someone I’ve played a casual game of 5-a-side with a couple of times, was a member of the legendary group Apna Sangeet. I listened through their back catalogue and quizzed my Dad about them. He didn’t exactly count himself as a huge fan, he too has had his challenges with embracing the Punjabi culture and language.
“However, he recalled having the Soho road legend Sardara Gill train with his old football team Mahal Warriors a few times, Gill also recorded their club anthem to the Match of the Day theme tune.
Given his aforementioned struggles with getting to grips with the language, during training my Dad confused Sardara’s name with the stage name of his group. Following him around the pitch shouting ‘Apna’ at him, wondering why he wasn’t receiving the ball back.”
Whatever it is, the way you tell your story online can make all the difference.
After becoming enamored with the new wave of cultural figures such as Raf and Yung Singh (and hopefully to reduce the likelihood of situations like the one above occurring to me), I am currently embarking on a journey to learn the Punjabi language and more about my roots. Raf’s music has had a massive impact on me and I’m looking forward to seeing how he evolves as an artist and person. He slickly combines genres, aspects from different cultures and elements from different eras into a unique sound with a huge personality. His mixtape is a rich tapestry of his influences and visions for his future sound. He has the potential to become the figurehead for a new generation of British Asian kids in the mainstream cultural spheres.
Written by Rohan Ram
Listen to ‘Ruff Around the Edges’ on Spotify
6 Music Artists You Must Know In 2023
From South London's Raf Saperra to Birmingham's Bobblehead Huncho, we are excited to introduce to you artists that we believe will thrive this year.
We have selected 6 artists with so much potential that we believe they are the 'Ones To Watch' for 2023.
From South London's Raf Saperra to Birmingham's Bobblehead Huncho, we are excited to introduce to you artists that we believe will thrive this year.
Morgan
Munroe
Current monthly listeners: 41,219
First up we have none other than East Midlands rising R&B star Morgan Munroe. R&B Songstress Morgan Munroe is inspired by the likes of Frank Ocean, James Blake, Solange and Jazmine Sullivan; and is ready to cement her place within the thriving UK R&B landscape and beyond.
Morgan went on her first UK-Wide tour this year, performing in five different cities and creating brand new fans across the UK. We think she will be the next female to blow up in UK R&B. With songs such as ‘Mutual’ and ‘Space’, she explores themes of heartbreak, love and betrayal, topics that relate to many women across the world.
Raf
Saperra
Current monthly listeners: 116,600
South London born Raf Saperra is a big one to watch out for this year. He is bringing about a new sound for UK South Asian artists, and whilst he is sticking to his traditional Punjabi roots, he seamlessly blends it with old school Hip Hop and Garage sounds.
With his song N.L.S being named number 22 in i-D Magazine’s top 100 songs of the year, alongside the likes of Kendrick Lamar and Drake, we see him becoming a global hit and a force for Punjabi music. Our personal favourite however has to be none other than his latest single ‘Modern Mirza’. Raf Saperra is definitely a name to remember in 2023.
ShaSimone
Current monthly listeners: 22,729
Also hailing from London we have ShaSimone. British-Ghanaian rapper and songwriter, ShaSimone is recognisable by her versatile coffee-soaked vocals and skillful wordplay.
She has collaborated with the likes of Dave and James Blake, and has been championed by many UK rap legends. She started off by posting freestyles online, and being known for her impeccable flow and lyrics so you know her pen game is unmatched.
BobbleHead Huncho
Current monthly listeners: 89 listeners
Representing Birmingham with his Jamaican roots we have Bobble Head Huncho. Bobble effortlessly fuses dancehall vibes, culture and language into his music with ease & authenticity.
With an incredible work rate and a unique voice, Bobble has a penchant to craft catchy melodies with thought-provoking, insightful, street-themed raps full of energy. Bobble Head Huncho is one of the most exciting artists to emerge from the UK in a very long time.
Infamousizak
Current monthly listeners: 32,625
In 2022 Infamousizak and Frisco released the ‘Bad and Clean Remix’ which featured some legends, including Skepta and Skillibeng. The London born rapper produces, writes and sings all of his own material. Taking inspiration from the traditional sounds of Grime and UK Rap, he also brings in Hip-hop influences, and has created his own sound within an ever-evolving industry.
In 2023 people around the UK will definitely know who Infamousizak is, and he will carve his own lane in the music scene.
SOLAH
Current monthly listeners: 151,827
Solah has begun making a name for herself, with her colossal voice & sounds thriving within the drum and bass scene. She became the first female vocalist to sign to Hospital Records, and we know that this is just the beginning for her.
Her signature jazz-tinged soul style has been used across a wide range of bass styles, a few with collaborators, such as GLXY and Pola & Bryson. Solah is about to be at the forefront of drum and bass, so next time you’re in the club, expect to hear a Solah track.
Punch's 2022 Rewind: Highlights of the year
Now that 2022 is beginning to draw to a close (and following last week’s article “A Celebration of 2022: Punch’s Rewind of the Year Starts Now”), we’re taking this time as an opportunity to reflect on the projects that have taken place over this past year.
There is so much to celebrate, so this was by no means an easy task, but we have individually highlighted projects that have filled us with pride throughout 2022.
Nikki Riggon, Head of Programme
“We’ve been a driver for positive change and a catalyst for hard discussion surrounding race through our involvement in Birmingham Race Impact Group (BRIG)”
There's so much for us to be proud of this year, our programme has been so broad. We’ve been able to launch art commissions that have been in the making since 2020 through Gallery37, including Wander Water which can now be seen on display at The Roundhouse.
We’ve been a driver for positive change and a catalyst for hard discussion surrounding race through our involvement in Birmingham Race Impact Group (BRIG). We’ve all had the opportunity to step outside our comfort zones *flashback to me hosting Write The Future for Meta and WMMB* and we’ve grown much closer as a team *insert terrible photo of team hungover at away day*. We were on the road for the first time post-COVID with the Morgan Munroe, Elvira tour and we have worked with many exciting new artists.
Reflecting on 2022 I’m really proud of the team but I'm SO excited for 2023!
Sannah Sajid, Digital Marketing Assistant
“I loved being a part of the Elvira Tour as it gave me an insight into the world of touring, how the industry works and what life on the road is really like.”
Live music and touring has always been something that I’ve loved and wanted to be a part of, so when we announced that we were going to be taking Morgan Munroe on a UK-Wide tour, I couldn’t wait to get on the road.
We took R&B artist Morgan Munroe on her first tour following the release of her EP ‘Elvira’, and it was everything I expected it to be and more. The first stop was in Glasgow and ended in Leicester, which is Morgan’s hometown.
I loved being a part of this tour as it gave me an insight into the world of touring, how the industry works and what life on the road is really like.
Brad Morrison, Head of Marketing & Communications
“I had the privilege of producing my first immersive visual art exhibition Reworlding, which explored wellbeing, environmentalism and utopia.”
During the 2020 pandemic when exhibitions & galleries had to pause, I turned to the streets of Digbeth, and the walls that I used to pass aimlessly became an exciting adventure of visual art; every day I would discover new art pieces. I began to find a love for street art & new ways of showcasing exhibitions.
Two years later, I had the privilege of producing my first immersive visual art exhibition Reworlding, one of Gallery37’s 2022 commissions, which explored wellbeing, environmentalism, and utopia.
After months of planning & preparation, Centrala became home for a week, artists Hayley Salter & Jacob Carter became an unshakeable team, and together we crafted a beautiful multi-sensory space brimming with purposeful art including; an atmospheric soundscape recorded in green spaces around Birmingham, hanging portraits showcasing the city’s local heroes & their connection to nature and recycled carpet that was displayed to reflect the terrazzo-style sculptures which filled the walls of the exhibition. The responses from attendee’s were overwhelmingly positive - it was when I was told that the exhibition helped with an individual’s wellbeing & mental health that I filled up with emotion & pride.
Fahmida Choudhury, Insight Producer
“It has been great to have the opportunity to contribute to the Birmingham 2022 Commonwealth Games evaluation.”
Coming up to almost a full year at Punch Records, it has been great to have the opportunity to contribute to the Birmingham 2022 Commonwealth Games evaluation.
This experience not only enabled me to partake in a globally recognised event, but over the course of the Festival I learned so much about Birmingham’s creative and cultural sector from the very practitioners themselves. I was fortunate to be under the supervision of Simon Redgrave and Amanda Roberts guiding me through the processes involved in carrying out the evaluation research and will take the skills I’ve developed and apply them to our next research project.
CAS, Creative Producer
“I was touched by the number of attendees and feedback received, as I believe it’s important to produce various events that reflect us individually and society.”
Being a Christian has always been, and continues to be an important aspect of my life. It was an honour to be given the opportunity to produce the A Love Letter To The Gospel: Past, Present & Future event.
A Love Letter To The Gospel: Past, Present & Future is a feature-length documentary, directed by Storyteller and Musician, Rhea Marcia. The documentary explores the Gospel music journey and premiered at Holy Trinity Parish Church, Birchfield on 1st October 2022, with a live performance from Rhea and a full band, Q&A panel with Gospel artists, and community pillar Reverend Eve Pitts as the host.
I was touched by the number of attendees and feedback received, as I believe it’s important to produce various events that reflect us individually and society.
Another highlight for me was being Tour Manager for Morgan Munroe. Both were a great way to represent Black History Month 2022!
Jay L’Booth, Creative Producer
“The use of a white cove really gave the visuals an immersive feel and allowed the artists to move around in their own worlds.”
This year at Punch, my highlight has to be Multiverse. The fact that this was so unique and had never been done before excited me. It was a challenge I wanted to experience and I feel it came together beautifully. Immersive experiences are the new wave of technology and i’m glad we got to implement that with Multiverse.
I feel the lineup of artists we had really represented the up and coming scene in Birmingham right now. With ones to watch like Indigo Marshall and Creezon but there was also an insight into collectives such as >THEM. Each artist had their own scene created by Multidisciplinary artist DEMARAE and the scenes complemented the music magically. The use of a white cove really gave the visuals an immersive feel and allowed the artists to move around in their own worlds.
What’s more, is the interactive aspect of this event, and how the audience could use a PS5 controller to explore the digital worlds further. Not forgetting the live art element of the space, where incredible digital paintings were created by Dayle Demaret-Smith and Rere Demarae.
I think we should continue to run events such as Multiverse - working with different artists each time. I also think it’s important for us to continue this immersive element within our future shows and projects.
kimberleigh logan, Creative Producer
“I’ll keep it real, my first-ever cypher went crazy! BAR4BAR.. Are you mad? There’s no better feeling than putting together an event that everyone is literally screaming for. The sounds, the bars, the crowd- immaculate. The music scene in Birmingham is so underrated and to be in the midst of some of the best talent coming through our streets right now was wild.”
Whatever it is, the way you tell your story online can make all the difference.
When we were approached for the second time by Birmingham Hippodrome to produce the launch of B-SIDE Hip Hop Festival, I knew I had to step up and put on something that was going to represent what’s really going on in Birmingham right now and open up the celebrations properly! I teamed up with Reuben (Fyah Kamp), and DJ Biggoss to help stitch together one of the littest lineups ever!
From the open mic to the producer showcase, every artist involved lit up the stage in Suki10C like it was their biggest show. Wheel ups after wheel ups; the bars had our heads spinning! People were just pulling up to drop a few bars, packing out the place with good vibes - nobody wanted it to end. It was what we needed, and everyone who came will agree.
I think for me, seeing that type of response was the moment I knew we smashed it. It’s important to provide spaces for artists to share their art with each other to create a more connected music industry because it’s clear that we have a very competitive nature, and whilst that’s somewhat necessary for this industry, we should stand on each other’s shoulders to grow and expand bigger than what we know our city to be. My only hope is that we continue to do so!
Big shouts to the artists, producers, and music enthusiasts for coming through; not to mention Suki10C, Birmingham Hippodrome, Biggoss, and Reuben for making BAR4BAR my highlight of the year!
Watch our Rewind video of the year on Youtube
A Celebration of 2022: Punch’s Rewind of the Year Starts Now
Punch turned 20 this year, and we’ve been celebrating all-year round with one of our most exciting line-ups of events, masterclasses, and projects to date.
We started the year with the launch of LEGACY, a documentary that explored the stories of Hip-Hop, Rap & Grime artists who have been responsible for creating a historic music scene. The documentary featured pioneers of the game, from Lady Leshurr all the way to Devilman. This feature-length documentary championed grime artists big & small from Birmingham, and explored the stories behind their craft.
Lady Leshurr featured in LEGACY documentary (2022)
We hosted two back-to-back sold-out film screenings at Everyman Cinema for the exclusive first look at LEGACY, which was met with rapturous applause, and national interest in expanding on the documentary.
Further into the year, we commissioned GALLERY37 alumni to create new artistic work, which took over Central & North Birmingham.
Gallery37 Commissioned Artists with Head of Programme, Nikki Riggon (2022)
The programme started with multi-sensory immersive exhibition Reworlding which explored environmentalism & wellbeing; and continued with projects including Gospel documentary A Love Letter to the Gospel: Past, Present & Future, interactive visual & live music event Multiverse, debut EP & music video project TALES, female-centric short film DOSED & illustration campaign celebrating local heroes of North Birmingham On The Map.
No one event has been like another this year.
Following a series of successful music events throughout the year, we embarked on our first tour of 2022 in October. The Elvira Tour, headlined by R&B artist Morgan Munroe supported the release of her latest EP.
Morgan Munroe on the Elvira Tour (2022)
A special project has been filmed with Morgan Munroe which will be released in 2023, showcasing the rise of the future R&B star.
But before we get to 2023, we are giving you the full Punch Rewind of 2022.
Connect with us on Instagram, Twitter, Newsletter, Youtube, LinkedIn & TikTok to see the full Rewind featuring videos, quizzes, TikToks, exclusive news and more.
Overcoming the Instagram Algorithm: Claiming your Creative Space in the Online Metaverse
The social media revolution has completely transformed the music industry, creating a new environment defined by accessibility and speed - artists are only ever one post away from fame. So why do we often feel so out of control of our own content and careers?
Faced by alien algorithms and tough competition, our posts can easily get lost in endless Instagram and Facebook feeds. How do we create unique and wide-reaching content that captures attention, whilst remaining authentic?
Write The Future, hosted by PUNCH in collaboration with the WEST MIDLANDS MUSIC BOARD and META, equipped both aspiring and established artists with tools to navigate online spaces, including R&B stalwart PHELEBA, who ended the conference with a live performance. So what did we learn?
Here are our top three takeaways to overcome the algorithm:
1. Create Your Authentic Space
‘People buy from people. Know your essence’. Vanessa Bakewell, Meta
With everyone’s feeds flooded with infinite filtered versions of “reality”, can we risk posting content that truthfully represents our real and flawed selves? VANESSA BAKEWELL from Meta dismantled misconceptions that artists have to project a perfect image, instead emphasising the importance of establishing an individual and genuine brand - in sharing the highs and lows of their creative journeys, artists become personal and more accessible.
MALIK - musician and co-producer LEGACY - spoke on the importance of creating and controlling our own narratives. On making LEGACY, the history of Birmingham’s vibrant grime and hip-hop scene, Malik said:
‘It was our way of telling the story of Birmingham MC culture, keeping it fair and authentic’. - Malik
Malik also spoke on the role of social media as the record of your personal journey as an artist, providing a point of reference for others when social inequalities mean that minority communities’ narratives are unfairly represented in the media.
“We can use social media to create something greater than individual fame and success, but a communal record of Birmingham’s vibrant music scene.” -Ammo Talwar Punch CEO
2. The Power of Experimentation
“Use social media, utilise it & create short-form video.” Sade Omojowo, Meta
From Birmingham, SADE OMOJOWO recently helped Meta launch the Black Perspective’s Initiative, striving to support the next generation of creators from underprivileged backgrounds. Sade's main piece of advice was to keep varying and experimenting with content as well as directly communicating with your followers to learn what they want to see. This can be done using tools such as question stickers and polls. You can monitor engagement by utilising your account analytics. All of the expert speakers agreed that the most impactful form of content was short videos like Instagram reels.
“Use social media, utilise it & create short-form video.” Sade Omojowo, Meta
To create a ‘thumb-stopping’ video, it's important to establish your brand - your name, face and main content - in the first 3 seconds of the video. Although Sade encouraged creators to be consistent with posting, she stressed the idea of quality over quantity. Above everything else, all expert speakers encouraged artists to remain authentic and accessible to their followers.
“Everyone can hope to go viral if you hop on a trend but you need to give someone a reason to follow you. Be authentically you”. - Natalie Kelly, Meta
3. Brum Left Behind?
During the Q&A sessions, many audience members shared frustrations about the lack of permanent Birmingham based infrastructure and the ‘recycled conversations’ that prevent meaningful change. Even the expert speakers acknowledged that ‘talent can only go so far’ and without any Birmingham based media outlets, artists will struggle to sustain any attention that they get online. The most common solution voiced was to strive for better communication and collaboration between Birmingham creatives.
“Collaborate - Collaboration is huge. If people see that you’ve collaborated, your reach will snowball.” Sade, Meta
“The thing that Birmingham could do better is communication. Artists can only do so much, they need to connect with companies like Meta, Spotify, Punch Records etc – and likewise, companies should be connecting with the artists”. - Malik
Write The Future felt like a positive step toward progressive collaboration, bringing like-minded people together, providing networking opportunities and demonstrating that influential companies like Meta are finally taking a meaningful interest in local talent here in Birmingham.
Speakers announced for The P Word Conference 2021, including Main Speaker, Jamelia
“Perseverance in Perspective: The P Word Conference” will be led by a Midlands based line-up of creative entrepreneurs who have led the way for their creative communities over the last year.
Creative entrepreneurs and artists have had to work harder than ever over the last year and into 2021 to adapt and survive during this pandemic period. On Thursday 25th February we are shining a spotlight on Midlands-based creative artists & entrepreneurs who have led the way for their respective creative communities.
“Perseverance in Perspective: The P Word Conference” will be led by guest speakers, creative entrepreneurs that we’ve supported over the last year with The P Word, and partners Punch & CREME. They will all be delivering honest conversations and thoughts about their enterprises/companies, the creative industries, advice for start-ups, the effect of the pandemic, and much more.
Meet our Guest Speakers and host below, and register for your tickets here.
Jamelia
As a singer-songwriter Jamelia has sold millions of albums and scored number one’s all over the world. Jamelia has won multiple awards including four MOBOs, a Q Award and an Ivor Novello.
In broadcasting, Jamelia has appeared on programmes on every major UK TV channel as a host, panellist, presenter and guest. Jamelia’s modelling career has seen her grace the covers of Cosmopolitan, Elle and Time Out. She’s also fronted campaigns for Reebok, Pretty Polly and Toni & Guy.
Jamelia loves to act, and has had roles in both movies & tv shows. As well as her chat show, The Table, Jamelia is currently working on album number four and a number of books.
CJ Lloyd Webley
CJ Lloyd Webley is a Writer and Theatre-maker from Birmingham. He majored in Theatre and Performance Studies at The University of Warwick, and recently completed a Master of Arts in Creative Writing (Screenwriting & Playwriting) at City University of London. His play, Shadows, received 4 & 5 star reviews and sold out its three-night run at Theatro Technis, Kings Cross in 2017. Since then, he has had new work performed at The Birmingham Rep, Soho Theatre and the Brockley Jack Studio Theatre.
CJ was part of the 2019-20 Tamasha Playwrights cohort in London where he was shortlisted for the Adopt a playwright Award and has since been selected for Criterion Theatre’s New Writing Programme in Piccadilly. CJ is one of the newly appointed Lead Artists for Lightpost Theatre Company at the Birmingham Rep, a scheme that seeks to improve the mental well-being of young black men.
CJ is also the Founder of The Black Pounds Project CIC and facilitates Creative Writing workshops as part of his organisation Sorrel Park Theatrical, and online sessions with Beatfreeks. He has since completed Regional Theatre’s Young Director Scheme and. the Common Purpose leadership programme.
Fusion
The self-professed ‘Creative Storyteller’ has presented shows for MTV and Sky, hosted events at Wembley Arena, interviewed the likes of Beyoncé, Dr Dre and Marvel-mastermind Stan Lee, and shared his story on the TED stage.
An experienced educator and creative producer, he is now a lead facilitator for YouTube, empowering thousands of young people to become better Internet Citizens, and helps award-winning CEOs discover their own stories of transformation.
The driving force behind creative currency initiative #IITSPIRATION and founder of BMT – an immersive live experience celebrating the ‘awesome everyday’ stories of black men - Alain takes on all challenges with irrepressible energy, curiosity and a desire to get to the heart of the matter.
Alexandria Chantiluke
Birmingham born fashion designer Alexandria Chantiluke was selected as a 2015 finalist in the Savile Row Training Academy: National Design and Tailoring Awards. She won the annual Hawes and Curtis shirt design competition and graduated in July 2016 with a BA Honours in Fashion Design from Nottingham Trent University.
In 2017 Alexandria was named Radical Designer of the Year at an international design competition and in 2018 she was named one of Birmingham's top 30 under 30 for her work in fashion and the Birmingham community. In 2019 she delivered a motivational speech on the TEDxYouth stage and was also named one of the Future Faces of Birmingham on Gallery 37’s BASS2019 mural at Suki10c.
Alexandria has worked in the fashion industry with bespoke tailors Timothy Everest and Richard James on Savile Row in London, but fashion design is just one part of her brand. She also writes and performs poetry and is an activist for mental health awareness, speaking openly about her own experiences with Generalised Anxiety Disorder. She is committed to supporting young people and volunteers her spare time to delivering school presentations and workshops.
Jay Williams
Hoodrich is more than just a clothing brand – it’s a lifestyle. The slogan “from nothing to something” is fully encompassed by Birmingham born founder Jay Williams’ own experiences. Hoodrich embodies the come up.
Jay’s passion for underground streetwear, musical influences and interest in clothing led him to start his own brand from his bedroom. In 2014 with a £200 start up, the first 30 tees were made. Hoodrich has grown from a one man venture to a national operation.
Hoodrich is in Footasylum and JD stores across the UK and the brand has been worn by UK and US rappers and influencers.
Hoodrich founder Jay aspires for the brand to be a global household name and is just getting started.
The Last 12 Months
Ammo Talwar - Chairman of the UK Music Diversity Taskforce unpacks diversity in the music industry and the last 12 months.
Ammo Talwar - Chairman of the UK Music Diversity Taskforce unpacks diversity in the music industry and the last 12 months
Ammo Talwar, UK Music's Diversity Taskforce Chair & Punch Records CEO
Wow - what an incredible year it’s been. I vividly remember my first time going up to bat for UK Music's Diversity Taskforce, as their new Chair, feeling intimidated and overwhelmed in the Universal Music Group’s boardroom. The mighty UMG - home to Island Records, Polydor, Virgin - had agreed to host our inaugural session right where the Big Deals were done; the Rolling Stones, Sam Smith and Stefflon Don probably all inked deals or demo-ed LPs right here. We’re in the same space discussing diversity in the music industry, with all the trade bodies and all the major labels around the table. I was nervous, even with vice chair and veteran of the music world Paulette Long to back me up and keep me in check. But we didn’t know that when we left the room, the world was about to turn upside down.
This is March 2020. Parts of the UK are celebrating our exit from the EU with post-Brexit parties and a sense of euphoric win. Something else that's in the air is Covid 19, but despite footage of super hospitals being built in China, it’s not yet being taken seriously here. Just a few months later; George Floyd is brutally killed beamed directly onto our phones.
The outcry over the murder of George Floyd once again highlighed injustices in the law, amplifying the voices of the Black Lives Matter movement. Theirs would soon become the strongest voice for global justice, equality and equity. It resonated with our UK youth like never before; modern, contemporary, organised and effective at all levels. Statues got dismantled, hashtags became “must”-focussed - #rhodesmustfall and #TheShowMustBePaused backed by the Black Music Coalition in the UK and black music executives globally. Furlough was introduced and the music industry began its journey into the abyss.
Edward Colston statue falling
Globally, the major labels moved quickly. New investment came in to support black talent, The term “urban” finally got thrown out and “white privilege”, “systemic racism” and “unconscious bias” were the new words in the music ecosystem. Letters were written to key UK music industry players, which had raked in profits from black artists and black culture for decades but had always overlooked the structural and systematic racism. “Enjoying the rhythm and ignoring the blues” said RADIO 1 DJ Clara Amfo.
There were difficult debates, decisions and discussions for all of us. From the CEOs of major record labels to promoters and artists not from minority communities; questions of privilege (perhaps “white”, perhaps “gender”, perhaps “place”) were being asked. How much of their success in the music industry was down to privilege, family networks, not undiluted raw talent? More importantly, how do we create better opportunities and better representation for the rest of us? Modern day, diverse citizens should be everywhere across the music industry, not just as performers, not just as interns, but at executive and CEO level, smashing the glass ceilings of back rooms and boardrooms.
Black artists have always raised their voices for while others have stayed silent; Howlin Wolf spoke about the Mississippi Blues, Jazz and Be Bop defied Jim Crow’s America. James Brown post-Watts Uprising shouted “Say It Loud, I’m Black and I’m Proud”, Hip Hop hit back at Reaganomics. In the UK Steel Pulse was talking about Handsworth Revolution, Bashy heralded serious emotions about Black Boys. Stormzy raps on Grenfell and Dave just echoes what James Brown knew all those years ago; Black is Beautiful.
Public Enemy on the fight the power video shoot
Now was the time for the music industry to stand up and back a radical, sustainable plan to repair the diversity deficit and back our black artists, black workforce and a modern diverse music ecosystem. At UK Music, the Taskforce was already nine months deep into our flagship workforce survey. Now this could go out against the backdrop of #theshowmustbepaused and #blackouttuesday; receiving unprecedented support from all the trade bodies - BPI, MU, PPL, AIM, MMF, FAC, IVORS, MPG, MPA and PRS. The uptake surpassed the 2018 survey by over 33%.
This was and is the only survey to look this deeply into representation in the UK music workforce, auditing levels of diversity, social mobility, the protected characteristics, retention and access at all levels, right across the music business. This included studios, management agencies, music publishers, major and independent record labels, music licensing companies, the live music sector: the total UK music ecosystem.
UK Music Diversity Taskforce
But what can be done with just data? To really put evidence to work, codesign across the music industry is required to deliver an action plan that is respectfully collaborative, holds senior executives to account and changes the culture with visible metrics and targets. It’s not just “more brown faces in the board rooms”; it’s more diversity of thought and practice, with sustainable ways to move progress forward with pace.
If diversity without action is just a dream, action without evidence is a nightmare. Our TEN POINT PLAN is drawn from the 2020 survey, based on new metrics, fresh evidence and lived experience of diversity in the music industry today, here in the UK. It is the accumulation of months of work across the total industry ecosystem - we consulted, we watched, we listened, we gathered data and now there is a strategic plan that has been co-signed by every single major music trade body. And some of it is really simple, common sense stuff, ensuring ordinary people in the music industry are allowed to execute extraordinary work.
As the chair of UK MUSIC’s Diversity Taskforce, I know we are responsible to make change happen, and we must be held accountable to ensure actions are sanctioned, strategy is developed and systems change. The TEN POINT PLAN closely aligns with the demands of Black Music Coalition, Women in Ctrl, PRS Foundation and all the other campaigning music companies to ensure justice and equality with a sharp focus on race and gender.
The TEN POINT PLAN has some really simple stuff that some would say is just common sense. Advertise to a broader audience base for new recruitment, listen to diverse staff members, update and implement stronger diversity targets. There are also deep, long-term drivers around the Gender and Race pay gaps, around governance and ultimately putting new voices into key decision making rooms. Some say follow the money, we say: dialogue with diverse voices - with people who don’t look like you, talk like you and hang out in places like you.
UK Music Diversity Report - https://www.ukmusic.org/equality-diversity/uk-music-diversity-taskforce-workforce-diversity-survey/2020-report/
We want to bring people with us, because we know diversity is stronger, better, smarter and more sustainable when “done with”, rather than “done to”. But at the same time there are some drivers, some values that are absolutely no compromise. THE TEN POINT PLAN demands sharp actions at pace with respect. It’s going to be a long complex journey. Without the tragic death of George Floyd and the uprisings afterwards, without #TheShowMustBePausedUK, without #BlackOutTuesday, the UK music industry wouldn’t be at the watershed moment I believe it is today, Change is coming.
It’s simply time to act.
AMMO TALWAR MBE
CHAIR OF THE UK MUSIC DIVERSITY TASKFORCE
For further reading:
https://www.ukmusic.org/equality-diversity/uk-music-diversity-taskforce-workforce-diversity-survey/2020-report/ - Major report on Diversity
https://www.ukmusic.org/equality-diversity/ten-point-plan/ - 10 point plan
Other interesting articles
https://www.blackmusiccoalition.co.uk/our-manifesto
https://mixmag.net/feature/the-roadmap-to-change
Reports
https://www.ukmusic.org/equality-diversity/creative-industries-council-diversity-charter/
More Than A Moment: Action With & For Black Creatives
This is a long-term commitment to dismantle the systems that have for too long kept Black artists and creatives from achieving their potential in the arts and cultural industries.
In October 2020, the ‘More Than A Moment working group’, a group of Black artists & leaders from arts organisations across the West Midlands launched a pledge for the West Midlands art sector to take action to dismantle the systems that have for too long kept Black artists and creatives from achieving their potential in the arts and cultural industries.
We at Punch are very proud to stand in support of this pledge. We’ve decided to host this pledge on our website so that it can be seen further and wider; so that we can be held accountable to this pledge, and so that you, the reader, can also agree to the actions within the document.
Taken from the pledge:
“This is our promise for radical & permanent change:
Create opportunities across the sector at all levels.
Be accountable for the change.
Create an anti-racist culture where Black people can thrive and fulfil their potential.
This is a long-term commitment to change, and will be prioritised into short, medium and long-term aims, with appropriateness to the scale and capacity of the organisation. We will carry out the principles and actions outlined on the following pages.”
Meet 12 Midlands-based Creatives That Will be changing the Industry In 2021
Introducing the 12 creatives that are a part of this year’s ‘The “P” Word’, a project supporting diverse creative artists & entrepreneurs in the Midlands
We’ve launched a new leadership project, ‘The “P” Word’, to support diverse creative artists & entrepreneurs in the Midlands, and develop their small creative businesses; into viable platforms that can better represent PoC and help regenerate the sector. We would love to introduce you to our 12 creatives below that are a part of this year’s ‘The “P” Word’.
We’ll be hosting an online launch party on Thursday 23rd July, and you’re invited to attend. Details here.
Daniel Alexander
Award-winning director and filmmaker based in Birmingham. He currently produces and directs work for platforms and agencies including the BBC Academy and the BFI including the official Commonwealth Games Handover for the BBC.
Daniel is a BAFTA crew member and sits on the board of the region’s industry screen body, ‘Create Central’.
NAMYWA
Hailing from the West Midlands, Namywa is an international singer-songwriter and recording artist. Namywa’s music is inspired by artists like Amy Winehouse, Diana Gorden, Yebba, Jill Scott and Laura Muvla.
Namywa’s artistic Journey is underpinned by with the willingness to support, inspire and develop other BAME people, mainly brown women and girls to access the arts industries.
RTKal presents: The MBC
”I have performed across the world and learned from the music industry internationally, which brought to my attention how overlooked Birmingham’s talent is, and how little we have in terms of a creative industry infrastructure. The MBC is a contribution to the infrastructure.”
The MBC - Music, Birmingham, Culture - is a multipurpose retail and venue space created by RTkal and his team to shine a light on Birmingham's creative industry and its rich pool of talent.
Tarju Le’Sano The DopeRes K.I.D
Tarju Le’Sano The DopeResK.I.D is a Producing Artist, from Birmingham, UK. Specializing in Songwriting, Spoken Word, Music Production & Dance. With standout performances and a passion for the stage he is not easily forgotten.
Tarju aspires to be the next global superstar from Birmingham UK, showing through his unique delivery, production and performance style, that he is a force to be reckoned with.
Ayola Lee presents:YOLA Entertainment
YOLA Entertainment contributes to the Music & Creative infrastructure here in Birmingham by building a sustainable Media Company. Providing artists, creatives & entrepreneurs with a platform to be seen and the necessary support to further their journeys.
ARRON GILL PRESENTS: THE GAP
“My name is Arron Gill and I am a Creative Producer and core team-member of The GAP Arts Project, an arts organisation based in Balsall Heath that creates space and time for young people to make sense of the world through creative and cultural action.
Using a range of drama and education methods, and other pedagogical practices developed over the years, I became deeply deeply passionate and committed to organising and creating cultural work that strengthens communities. My practice often seeks to create radical ruptures using creative tools to deeply explore our relationship with the world.”
KEIRAN FRANTIC PRESENTS: KNOW HOPE
Know Hope was founded in 2015, initially as a streetwear brand, that centred around positivity and community cohesion. Over the span of 5 years, we rose to local dominance and became known for our innovative approach to branding and marketing. In 2019, our Managing Director Keiran Frantic, saw an opportunity to widen the reach of the support by evolving the brand.
Today, Know Hope Digital combines the know-how and experience of freelance designers, marketers and videographers under one umbrella brand. We produce content for commercial/social use, design & steer campaigns and facilitate workshops.
Tennexa Freeman Presents: TCU - The Creative Universe
TCU - The Creative Universe is a grassroot and BAME-led company. We offer high-quality theatre productions, and site-specific experiences to diverse audiences across the Midlands.
We create meaningful and impactful projects that positively represent, support, engage, empower and serve the marginalised communities we come from.
lekan Babalola & Kate Luxmoore presents: Ifa-Yoruba Contemporary Arts Trust
I-YCAT was founded in 1995 by Grammy-award winning percussionist Lekan Babalola.
A unique, arts and cultural charitable organization, Ifa Yoruba is committed to sharing and maintaining the integrity and relevance of Yorùbá arts and culture in wider society – within local communities, both in the U.K. and overseas.
Aaron Wiggins presents: Wiggins Media
Wiggins Media was officially registered in 2018, but first began trading in the summer of 2017 offering showreels and music videos. “The aim for me personally to begin with was to provide these two services for friends but quickly discovered the demand for video content.”
After going full time with the business in 2018 and experiencing the initial struggle that comes with launching a start-up, the services expanded to corporate videos, adverts, event capturing and weddings. We are now in our third year of trading and aim to grow the team over the coming years.
STEADY PRESENTS: YUGEN ARTS
International acclaimed choreographer and dance artist, Steady, is a two time Guinness World Record holder and founding member and Co-Artistic Director of Flawless Entertainment.
His new company, Yugen Arts, is a hip hop theatre and dance production company that specialises in the art of storytelling with dance at the forefront. Yugen Arts believes in art with purpose and create captivating, experiential, thought-provoking work through their productions and educational programmes.
TASHAN ELLIOTT PRESENTS: CLICK VISUALS
We help our clients thrive in the digital era by using real human insights & platforms to design experiences that are seamless and engaging. By delivering sustainable brand awareness.
We offer a range of Services including Marketing content, Branding, Photography, Videography, Live Streaming Events/Podcasts, Influencer marketing as well as social media/Branding training . We have worked with and been published by Google, BBC Radio 1,BBC Sports, Coca-Cola, Birmingham City Council, ACGP International, Old Rep Theatre, The Guardian, Scarlett & Jo London and many more. Our projects have also been featured on BBC News and ITV News.
If you would like further updates about ‘The “P Word’, subscribe to our Newsletter; and follow us on Twitter, Facebook & Instagram.
Beyond Rhetoric... Race in Live Music (Live Video Panel Discussion)
Online discussion panel, hosted by IQ Magazine, on the topic of diversity in the music industry.
On Thursday 25th June, IQ Magazine held a Youtube LIVE discussion on the topic of diversity in the music industry.
“Blackout Tuesday brought the industry to a standstill and thrust the topic of diversity in the music business back into view. So just what challenges do black promoters, agents and managers face, and what’s needed to counter systemic racism both within the business, in performance spaces and touring markets? Our next IQ Focus session will ask how changes can be made, and the current momentum can be maintained over the months and years ahead.”
The session will be chaired by Live Nation Entertainment's diversity lead David Carrigan, with special guests...
Ammo Talwar MBE, Punch / UK Music Diversity Taskforce
Kiarn Eslami, Metropolis Music
Lucy Atkinson, Earth Agency
Sumit Bothra, ATC Management
Yves Pierre, ICM Partners
Watch the video above or visit IQ Magazine’s Youtube for the full video.
The "P" Word press release - new leadership programme for diverse creative entrepreneurs
The “P Word” tackles the structural inequalities that continue to hold back the potential of black artists and new-entrepreneurs
The “P” Word 2020 Press Release
The “P” Word is a brand-new, nine-month leadership development programme for diverse artists and entrepreneurs. Co-designed with its participants, THE “P” WORD is being led by PUNCH and the CENTRE FOR RESEARCH IN ETHNIC MINORITY ENTREPRENEURSHIP - “CREME”- at ASTON UNIVERSITY BUSINESS SCHOOL.
As COVID-19 continues to impact the creative industries, innovative models of business support are needed now more than ever, especially to tackle the structural inequalities that continue to hold back the potential of black artists and new-entrepreneurs. THE “P” WORD is designed to identify "roadblocks” holding back the productivity of creative businesses and will address them through bespoke training and intensive mentoring.
The value of the UK’s creative industries broke the £100bn barrier in 2018, with the West Midlands contributing £4.1bn to that figure. Despite this, artist-entrepreneurs often find it tricky to define what ‘productivity’ means for their business, much less take steps to boost it and make their small-medium sized enterprise (SME) more robust and growth-focused.
“I know THE ‘P’ WORD will unlock some areas of business that are in my reach. I just need some extra support to approach them”
The inaugural twelve participant SMEs include visual media companies, venue and project spaces, artist platforms and charitable organisations. All of them have identified their own development needs and are now poised for intensive, tailored leadership training and mentoring that will see them increase the long-term scale and scope of their creative work.
It's been more than a year in the making and major partnerships have been established with BIRMINGHAM CITY COUNCIL and ASTON UNIVERSITY. With multiple opportunities to pitch for investment and renowned guest mentors from around the UK, THE “P” WORD is primed to deliver and couldn’t be better timed.
Follow @punchrecords for all details, updates and launch information.
wearepunch.co.uk/the-p-word
QUIZ: How Many Iconic Black-led TV Shows Do You Know? (70's - 00's)
All shows are from between 1970 - 2005, they’re classics from #BACKIN the day; and all are black-led too. How many did you watch?
The rules are simple: All shows are from between 1970 - 2005, they’re classics from #BACKIN the day; and are black-led too. If you’ve seen the TV show, check “yes”, if you haven’t, check “no”. Let’s see how well you do!
1970 - 1989
1990 - 1999
2000 - 2005
How did you do?
Did we miss any of your favourite classic black-led TV shows? Add your throwbacks in the comments below and let’s reminisce together.
Supporting black filmmakers - BACK IN returns for it's 4th year
BACK IN is the leading black film development programme in the Midlands, UK.
BACK IN is the leading black film development programme in the Midlands, UK.
As part of Punch’s commitment to supporting and nurturing talent around the UK, our flagship filmmakers programme, 'BACK IN', is returning for its fourth year this Summer.
BACK IN is for early-career black filmmakers in the Midlands, produced by Punch and managed by award winning Director and Producer, Daniel Alexander. For 2 days a month, over 9 months, 6 filmmakers will receive micro bootcamps, by recognised professionals from a range of backgrounds including:
Script Writing
Film set experience
Industry practice
Festival bookings
Budgeting
Fundraising
Film pitching
Each filmmaker will be commissioned to produce a short film. Applications close Monday June 1st at 5pm Visit backinuk.com to apply or contact Cas@punch-records.co.uk.